À Deriva – Hors lits
Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa Performance no festival Hors Lits – Lisboa, Portugal. 2025. Foto – Lilia Costa À Deriva Performance Due to the reification of subjectivities and the meticulously planned inaction, we are faced with our great paradigm. The certainties, the affirmations, and the evidence are all here—so what? Data, data, data, data, data, data, data, data. So what? At the limit, in (post-)truth, we are somewhat adrift. Por causa da reificação das subjetividades e da inação meticulosamente planeada deparamo-nos com o nosso grande paradigma. As certezas, as afirmações e as evidências cá estão e então? Dados, dados, dados, dados, dados, dados, dados, dados. E Então? No limite, na (pós)verdade, estamos meio à deriva. Victor Gonçalves e Darida Rodrigues https://youtu.be/o5mYp5fWdvU
A data de hoje – 2020
https://victorgoncalves.xyz/wp-content/uploads/2024/05/A-data-de-hoje.mp4
Linha de conteção – containment lines – video
https://victorgoncalves.xyz/wp-content/uploads/2024/05/Linha-de-contencao.mp4 Este trabalho é resultado de estudos sobre o que é produzir espaços, lugar e pertencimento. Feito no ano de 2020 em Lisboa. Dimensão: 1920 x 1080 Duração: 00:55 Áudio: Stere
Aporia
https://youtu.be/esnG_nj4aWQ This video is the result of experiments on the expansion of Drawing as an artistic language carried out during the lockdown that Lisbon went through in April 2020 caused by the pandemic of COVID-19. The experience of being locked up at home in a suspended time and in a day without relief is evidenced in the repetition and overlapping of the gestures of opening and closing the blind causing an interruption in the access to the outside of the house. “Aporia” was selected for the 6th Dobra de Cinema Experimental festival and is now also part of the collection of the Museum of Modern Art in Rio de Janeiro.