Hay mas futuro que pasado
Detail – 2021 India ink on rice paper, 600 x 200 x 100 cm. View – 2021 India ink on rice paper, 600 x 200 x 100 cm. 2021 India ink on rice paper, 600 x 200 x 100 cm. Detail 2021 India ink on rice paper, 600 x 200 x 100 cm. Sketch 2021 India ink on rice paper, 600 x 200 x 100 cm. Sketch 2021 India ink on rice paper, 600 x 200 x 100 cm. This statement-work is made on an 8 meters long rice paper with the sentence “Hay más futuro que pasado” (There is more future than past) fading as it is repeated on the support. In the absence of a moral meaning, the statement can induce ambiguity in the reader. For the anxious and disappointed, it can be perceived as a torment, and for the hopeful as a warm message. This work was done during the artistic residency in Vic – Barcelona – Spain. And was part of the exhibition fuera(de)forma. shots: Tai Lamas
Cartas
“Cartas” is the series of drawings in which I bet on the ambivalence of the word “Cartas (letter)” because beyond the direct connection that refers to correspondence, the drawings also suggest a mapping like nautical charts, star charts. Drawings that thus create a vocabulary of subtle communications that overlap, compress, and expand in space. Part of this series is present at the NowHere Lisbon Collectors Club.
Águas – 2019
Águas 2019 series. Graphite, color pencils and acrylic ink s/ Japanese rice paper. 100 x 63cm Águas 2018 series Graphite, colored pencils and gouache ink on Japanese rice paper 100 x 63cm série Águas 2019 Graphite, colored pencils and acrylic paint on rice paper 100 x 63cm série Águas 2019 Graphite, colored pencils and acrylic paint on rice paper 100 x 63cm série águas, 2018 Chalk, graphite and gouache on rice paper 49 x 27 cm Águas – Waters – 2018/2019 Series of drawings of the relationship between circles and spheres and the water flows on paper carrying the pigment particles.
Obras da exposição de Verão 2020 – AR.Co
S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm S/título, 2020, monotipia e tinta da china sobre papel de arroz, 37,5 x 25 cm Series of drawings made in the context of the artistic residence Grão present in the autumn exhibition of Ar.Co Lisboa, 2019.
Por uma outra reforma – 2019
Sem título, série Por uma outra Reforma. 2018 Pastel de óleo, grafite e spray sobre papel vegetal 70 x 100 cm Sem título, série Por uma outra Reforma. 2018 Pastel de óleo, grafite e spray sobre papel vegetal 70 x 100 cm Sem título. série Por Uma Outra Reforma, 2018 Pastel de óleo s/ papel de de seda. 75 x 50cm Sem título. série Por Uma Outra Reforma, 2018 Pastel de óleo s/ papel de de seda. 75 x 50cm Sem título. série Por Uma Outra Reforma, 2019 Pastel de óleo s/ papel de de seda. 75 x 50cm Sem Título, série Por Uma Outra Reforma. 2019 Grafite, carvão, fita cola, tinta acrílica, tinta-da-china s/ papel de japonês. 100 x 80cm Por que há algo no lugar do nada? – Monotipia sobre papel de arroz. 70 x 70 cm Sem título, série Por uma outra Reforma. 2018 Pastel de óleo, grafite e spray sobre papel vegetal 70 x 100 cm Por uma outra reforma – 2019 “For another reform” is the result of a fictional experiment of what would be the urban plan made by Marques de Pombal under the influence of the Dutch philosopher Espinosa, instead of Renne Descartes, during the urban reform after the 1775 earthquake in Lisbon.
Emissários
Emissary – Emissary – 2020 Monotype on paper. 21 x 15 cm Triptych made during the artistic residency in central Portugal. The research developed during the residency discussed the relationship of affection that happens when walking inside a forest. Leave marks in space and space leave marks on the walker.
Ponto de Situação – Status
Ponto de situação – Status The elementary definitions that make up the formality of a drawing: point, line, plane. Grafit on axonometric paper A4