This work is the result of the Elliptical Trip project in which, through daily drawing, I turn my attention to the daily life of humanity’s elliptical path through outer space. The installation-drawing arises from an irregular centripetal gesture when building a space of relationships. In designing the installation, I seek to displace the objects, including the drawings themselves, from their original functions and, consequently, I attribute aesthetic functions to each small object.

Thus, I call attention to the excess of things that surround us. So, instead of praising precariousness and improvisation, I produce new tensions, I evoke the possibilities of non-trivial encounters. And in this poetics of changing the objects of their predestination, I ask: to what extent are we not becoming things uncritically easy to be (re)moved in a dehumanizing system?